History
Starlight Theatre’s story dates back to 1925, the year Romania’s Queen Marie paid a visit to Kansas City. To celebrate her arrival, the Kansas City Federation of Music organized a showcase of local talent for the Queen that was also open to the public. While Kansas Citians had toyed with the idea of building an outdoor theatre before, the $7,000 that the showcase raised made it clear that Kansas City had an audience for such performances and that outdoor theatre could one day become a Kansas City tradition.
Profits from the showcase were then placed in the city trust and proposals for the location of Kansas City’s outdoor theatre began. One suggested site was where Kansas City Art Institute now stands, but area residents disapproved of building such a large structure in their neighborhood. Another possible location was just north of University of Missouri–Kansas City, although these plans were also shelved because officials feared the theatre would give the newly completed Municipal Auditorium (Kansas City) too much competition.
After 15 years of proposals, the need for a venue to house celebrations commemorating Kansas City’s 100th birthday sped up the process. A committee was quickly chosen, Swope Park was deemed the location, and construction began on a cold December day in 1949. While the theatre was still unfinished for the city’s 1950 centennial anniversary, the show went on, and thousands of Kansas Citians flocked to see the historical revue of their city, Thrills of a Century. The show’s success then proved to be the perfect spark of motivation for completing Starlight and beginning the tradition of bringing Broadway to Kansas City. Community volunteers helped raise money and establish theatre policy; local craftsmen donated their time to finishing construction, and Starlight Theatre as we know it was born.
That same year (1950), the Starlight Theatre Association of Kansas City, Inc., was formed as a 501 (c)(3) not for profit corporation to operate, program and maintain professional theatre in our community.
In 1958, Starlight Theatre received a generous boost from Jerry Lewis. During an opening night performance, Lewis found the distance between performer and audience limiting. He then proposed to theatre personnel that they extend the stage so it covered the orchestra pit. When Starlight officials explained they could not finance the project, Lewis himself paid the cost. Although the extension was temporary for Lewis’ show only, the idea was a good one. In the early 1980s the stage was permanently extended over the orchestra pit, bringing on stage action closer to the audience. This extension lasted until the building of the 10-story, climate controlled Jeannette and Jerome Cohen Community Stage in 2000.
Another highlight in the history of Starlight Theatre came in a 1960s production of the musical Mr. President. Starlight’s producer, Richard Berger, who always had a knack for adding pizzazz to his shows, swayed President Harry S. Truman to make a guest appearance in the opening night show. Berger’s casting of Truman was a sensation, although an attack of appendicitis forced Truman to leave Starlight by ambulance during the intermission.
In 1981 the Theatre League brought locally produced shows back to the Starlight stage. That season saw "Grease". "Oliver!", "Camelot", and "West Side Story". Starring in these shows were Andrea McArdle, Orson Bean, Noel Harrison, and Barry Williams.
1984 to 1993 saw the highly successful Director/Choreographer team of Jack Allison and Helen Butleroff. This pair provided many innovative, crowd pleasing productions on the huge Starlight stage. Shows included "Jesus Christ Superstar", "Oliver!", "Hair", "Camelot", "The Wizard of Oz", "Sweet Charity", and "West Side Story". In those shows were Davey Jones, David Cassidy, Donna Murphy, Phyllis Diller, Georgia Engel, Roman Seinkiewicz, and many others. In this same time period also directing and choreographing for Starlight were Rob Marshall, Susan Schulman, Thom Warren, and Michael Lichtefeld
Since then, Starlight Theatre has steadily remained a staple of Kansas City’s performing arts community and a favorite for those looking for summer-time family-oriented entertainment. There were once 38 other self-producing outdoor theatres in the U.S., today only two major ones remain, making Starlight a landmark not just for Kansas City, but also the whole country.
The addition of the Jeannette and Jerome Cohen Community Stage in 2000 put a roof over the Starlight stage and gave Starlight increased technical capability making it one of the largest roadhouses in the country. So in addition to producing their own shows, Starlight began presenting major national tours in 2000 so they could bring more recent and contemporary Broadway musicals to Kansas City as well as share their productions with indoor theatres around the country. Starlight opened the 2000 season with the national tour of Miss Saigon inclusive of the famous Huey helicopter. Shortly after Starlight Theatre partnered with Live Nation, the largest concert promoter in the country to present a concert series. This increased production versatility has continued to make Starlight Theatre a summer favorite for residents and visitors alike.
Read more about this topic: Starlight Theatre (Kansas City)
Famous quotes containing the word history:
“We are told that men protect us; that they are generous, even chivalric in their protection. Gentlemen, if your protectors were women, and they took all your property and your children, and paid you half as much for your work, though as well or better done than your own, would you think much of the chivalry which permitted you to sit in street-cars and picked up your pocket- handkerchief?”
—Mary B. Clay, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)
“There has never been in history another such culture as the Western civilization M a culture which has practiced the belief that the physical and social environment of man is subject to rational manipulation and that history is subject to the will and action of man; whereas central to the traditional cultures of the rivals of Western civilization, those of Africa and Asia, is a belief that it is environment that dominates man.”
—Ishmael Reed (b. 1938)
“As I am, so shall I associate, and so shall I act; Caesar’s history will paint out Caesar.”
—Ralph Waldo Emerson (1803–1882)