Release and Reception
"Rising" was the strongest episode to date gaining a 3.2 on the Nielsen ratings. "The Brotherhood" received ratings of 2.3 when it initially aired on Sci Fi. The worst rated episode in the season was "Home", which received an 1.7 rating. John Sinnott from DVDTalk called season one a "very good spinoff," certifying it "highly recommended." Dan Heaton from Digitally Obsessed was positive to the first season, and said the pilot started "in fashion." Reviewer Dan Phelps from DVDFanatic gave the series "thumbs up" and gave the series an A-.
"Rising" was nominated for a Leo Award in the category "Dramatic Series: Best Production Design". "Childhood's End" was one of only two Stargate franchise episodes (with "Poisoning the Well") directed by Sci-Fi veteran David Winning. It won three international awards for directing; New York, Chicago and Houston. For "Poisoning The Well", Paul McGillion and David Nykl were nominated for a Leo Award in the category "Dramatic Series: Best Supporting Performance by a Male", and Allison Hossack was nominated for a Leo Award in the category "Dramatic Series: Best Supporting Performance by a Female". "The Storm" was nominated for a Leo Award in the category "Dramatic Series: Best Overall Sound". "The Eye" was nominated for a Gemini Award in the category "Best Visual Effects", was nominated for a Leo Award in the category "Dramatic Series: Best Picture Editing", and won a Leo Award in the category "Dramatic Series: Best Visual Effects". For "The Defiant One", director Peter DeLuise was nominated for a Leo Award in the category "Dramatic Series: Best Direction" and in the category "Dramatic Series: Best Screenwriting". "Before I Sleep" was nominated for a Gemini Award in the category "Best Achievement in Make-Up". For "The Brotherhood", writer Martin Gero was nominated for a Gemini Award in the category "Best Writing in a Dramatic Series".
Read more about this topic: Stargate Atlantis (season 1)
Famous quotes containing the words release and, release and/or reception:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
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“The steel decks rock with the lightning shock, and shake with the
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And the sea grows red with the blood of the dead and reaches for his spoil—
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“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
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