Reception
During the seven years of production, In the Pirkinning was occasionally mentioned in Finnish media, including several stories in national television news and in major regional newspapers.
Several favourable reviews have been published in Finnish media since the release.
Within a week of the movie's authorized Internet release, more than 300,000 copies of the movie were legally downloaded from the main distribution site, excluding the several mirror sites.
Within two weeks of the movie's authorized Internet release it was estimated that more than 1,500,000 copies of the movie have been downloaded in total, including the several mirror sites.
Within two months of the movie's Internet release, it was estimated that more than 2.9 million copies of the movie had been downloaded from the official site alone. In comparison, the most popular Finnish movie, Edvin Laine's The Unknown Soldier (1955) has a Finnish theatre attendance figure of 2.8 million (which, of course, doesn't include screenings outside Finland, TV screenings, video sales and rentals from the past 50 years). The film's service provider, Magenta sites, reported over 2 petabytes of data transfers and estimated that actual amount of downloads, including all mirrors, would be in the range of 3.5 to 4 million.
On January 28, 2006 In the Pirkinning premiered in Finnish TV, broadcast by YLE TV2 followed by a February 4 rerun on YLE's digital channel, YLE Teema. Teema's broadcast included the earlier movies and a documentary.
Read more about this topic: Star Wreck: In The Pirkinning
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)