Star Wars Episode VI: Return of The Jedi (soundtrack) - Currently Lost/Unreleased Cues

Currently Lost/Unreleased Cues

Currently, several source cues and other material is unavailable. Many of these master tapes could not be located in time for the score's Special Edition release and are presumed lost.

These tracks include:

  1. Jabba the Hutt's Concert Suite - All but the final portion of this original recording, incorrectly edited onto the end of the cue "Han Solo Returns" on the Anthology, remains unreleased. (This same portion is heard on the Return of the Jedi DVD menu as well).
  2. Film Version of Lapti Nek (Original Source) - Several versions of this source cue written by John Williams' son Joseph are available. Currently available are the album version on the Anthology and an extended album version and an instrumental track released on an LP single. However, the film version has yet to be released.
  3. English Version of Lapti Nek (Sung by Joseph Williams) - This cue can be heard partially in From Star Wars to Jedi: The Making of a Saga, but remains unreleased.
  4. Max Rebo Band Song (Sail Barge Dance) --Source Cue - This piece, performed by the resident musicians in Jabba's court (The Max Rebo Band) has never been released. It is heard after Chewbacca is taken away and also on Jabba's sail barge (hence its title). This cue can also be heard almost totally complete in From Star Wars to Jedi: The Making of a Saga, but remains unreleased.
  5. Unknown Source Cue - this cue is not used in the film but is credited to Joseph Williams. Nothing more is known.
  6. Alternate Film Takes - Several cues such as "Superstructure Chase" are presented on the SE using incorrect and often flubbed takes.
  7. Battle For Endor Insert - This insert can be heard in the film when Chewbacca and the Ewoks use the AT-ST to blow up another AT-ST and is similar to a section from the "The Forest Battle Concert Suite" but has never been released.
  8. Ewok Celebration (Film Version) - Two versions of this cue have been released, however, neither preserves the actual original recording used in the film.

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