Star Trek Canon - Films

Films

As of 2011, all Star Trek films produced are considered canon. While not explicitly stated, the most complete released version of the films, including scenes missing from the theatrical version of a film but included in home releases or director's cuts, appear to be canon. Such is the case, for example, of a scene revealing that the character of Peter Preston was the nephew of Scotty in Star Trek II: The Wrath of Khan. Peter Preston is included in the canon database at StarTrek.com.

Adding confusion to the issue is the fact that Roddenberry is quoted as saying he did not like the films, and "didn't much consider them canon". There exists no definitive list of which films in particular Roddenberry disliked, or what elements in them he did not consider canon. For example, the reference book Star Trek Chronology states that Roddenberry considered elements of Star Trek V and Star Trek VI to be apocryphal, but it does not specify which particular elements in the films Roddenberry objected to.

The canonicity of extra features found on home DVD releases, such as deleted scenes, has never been explicitly addressed.

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Famous quotes containing the word films:

    Does art reflect life? In movies, yes. Because more than any other art form, films have been a mirror held up to society’s porous face.
    Marjorie Rosen (b. 1942)

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
    Jean-Luc Godard (b. 1930)