Star System in American Cinema
The cinema operates from three eyes: the eyes of the director and the cameraman, the eyes of the protagonists, and finally, the eyes of the audience. The secret of the star system comes with the second one. In movies, the most efficient way to show the emotions of a certain character is by inserting a shot of him reacting to a specific action (generally, the action is placed just before or after). This is what is called a reaction shot
The reaction shot is a substitution; a mimetic transfer of the spectator's feelings that brings him to identify himself in the star. It is like a mirror or a double, but with a sublimated image. Marilyn Monroe is a great example of the use of the reaction shot. In many of her films, the audience can appreciate many long close ups of her face reacting. At this point, the spectator has a privileged relationship with her; something even better than being her friend or a member of her family: for a moment, the viewer is Marilyn Monroe. In the Hollywood system, an actor can never really become a character: he is a star, no matter the quality of his performance.
Read more about this topic: Star System (filmmaking)
Famous quotes containing the words star, system, american and/or cinema:
“Youre not a star until they can spell your name in Karachi.”
—Humphrey Bogart (18991957)
“The United States is unusual among the industrial democracies in the rigidity of the system of ideological controlindoctrination we might sayexercised through the mass media.”
—Noam Chomsky (b. 1928)
“Being American is to eat a lot of beef steak, and boy, weve got a lot more beef steak than any other country, and thats why you ought to be glad youre an American. And people have started looking at these big hunks of bloody meat on their plates, you know, and wondering what on earth they think theyre doing.”
—Kurt Vonnegut, Jr. (b. 1922)
“For me, the cinema is not a slice of life, but a piece of cake.”
—Alfred Hitchcock (18991980)