Concept and Setting
| “ | Spacemen are ten-a-penny. What they need out there is a good copper. | ” |
| — The Commander, Star Cops, episode 1: "An Instinct for Murder", written by Chris Boucher |
Star Cops is set in the year 2027—some 40 years into the future at time of broadcast—a time in which space travel has become common and mankind is in the process of exploiting and colonising the Solar System. There are five permanently manned space stations orbiting the Earth and there are bases on the Moon and Mars. Approximately 3,000 people are living and working in space. This near future setting was influenced by the potential for greater access to space promised by the burgeoning Space Shuttle programme and by the militarisation of space through the US Government's Strategic Defense Initiative programme (also known as "Star Wars") both of which were underway in the early 1980s. Accordingly, space travel and life in space is portrayed in a realistic manner with depictions of weightlessness and low gravity environments and lengthy space journeys (months or years in cases of interplanetary travel) as well as hazards such as spacesuit failures, radiation exposure and explosive decompression. This air of realism has led to Star Cops being frequently compared with the 1973 BBC drama series Moonbase 3. Similarly, the pioneering spirit evoked by the process of colonising the Solar System seen in the series has led to comparisons with the Western genre among many commentators.
Law and order is provided by the International Space Police Force (ISPF), twenty part-time volunteers disparagingly nicknamed the "Star Cops". The decision has been made to put the ISPF on a permanent full-time footing and a new commander, Nathan Spring, has been appointed to accomplish this. Many of the series episodes deal with Spring's efforts to establish the Star Cops—he sets up a base of operations on the Moonbase, recruits new staff, roots out and dismisses corrupt officers and works to extend the Star Cops' reach first into the American space stations and then, at the end of the series, the far-flung reaches of the Mars colonies, all the while investigating whatever crimes occur along the way.
Many of the crimes that the Star Cops investigate have a science fiction "twist" to them arising from the unconventional (for a police show) environment the series is set e.g. a murder in which the two victims are not yet dead, a ransom demand for kidnapped embryos, a hoax discovery of an alien civilisation, etc. It is out of these scenarios that one of the major themes of the series emerges: the conflict between human emotion and morality on the one hand and machine logic and rogue science on the other.
Another major theme of the series is the "sins of the father": Spring’s first assignment as a detective was to arrest his father for industrial espionage, the villain in "Intelligent Listening for Beginners" is motivated by his inability to match his father’s reputation, Spring’s deputy, David Theroux, watched his father die of radiation poisoning, the kidnapper in "A Double Life" is seeking revenge for his father’s murder and Star Cop Anna Shoun betrays the multinational company which employs her (and with whom she has a paternal relationship) when she discovers their unethical behaviour.
Read more about this topic: Star Cops
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