Theatrical Feature Films
Although comparatively young, Star Cinema has produced some of the most acclaimed films in the history of Philippine cinema with films like Maalaala Mo Kaya (1994), Madrasta (1996), Magic Temple (1996), Bata, Bata.. Paano Ka Ginawa (1998), Anak (2000), Tanging Yaman (2000), Bagong Buwan (2001), Dekada '70 (2002), Nasaan Ka Man (2005) and In My Life (2009).
In the beginning of 21st Century, its films are topping the box office chart in the Philippines. All films on the current top 17 highest grossing Filipino films of all time are all from Star Cinema with titles including It Takes A Man And A Woman (2013), Sisterakas (2012), The Unkabogable Praybeyt Benjamin (2011), No Other Woman (2011), One More Try (2012), The Mistress (2012), You Changed My Life (2009), This Guy's in Love with U Mare! (2012), A Very Special Love (2008), ÜnOfficially Yours (2012), One More Chance (2007) Miss You Like Crazy (2010), My Amnesia Girl (2010), A Love Story (2007), Caregiver (2008), In My Life (2009), For the First Time (2008), Catch Me, I'm in Love (2011), Kimmy Dora and the Temple of Kiyeme (2012), and In the Name of Love (2011).
Read more about this topic: Star Cinema
Famous quotes containing the words theatrical, feature and/or films:
“In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.”
—Dan Cruickshank (b. 1949)
“The proclamation and repetition of first principles is a constant feature of life in our democracy. Active adherence to these principles, however, has always been considered un-American. We recipients of the boon of liberty have always been ready, when faced with discomfort, to discard any and all first principles of liberty, and, further, to indict those who do not freely join with us in happily arrogating those principles.”
—David Mamet (b. 1947)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)