Filmography
| Year | Film | Director | Producer | Writer | Other | Notes |
|---|---|---|---|---|---|---|
| 1951 | Day of the Fight | Yes | Yes | Yes | Himself (uncredited cameo), cinematographer, editor (uncredited); sound department (uncredited). | |
| Flying Padre | Yes | Yes | Yes | Cinematographer; uncredited as writer | ||
| 1953 | Fear and Desire | Yes | Yes | Yes | Cinematographer and editor; sound department (uncredited) | |
| The Seafarers | Yes | Yes | Cinematographer, editor and sound department | |||
| 1955 | Killer's Kiss | Yes | Yes | Yes | Yes | Story, cinematographer and editor |
| 1956 | The Killing | Yes | Yes | Producer (uncredited) | ||
| 1957 | Paths of Glory | Yes | Yes | Producer (uncredited) | ||
| 1960 | Spartacus | Yes | ||||
| 1962 | Lolita | Yes | Uncredited as screenwriter and producer | |||
| 1964 | Dr. Strangelove | Yes | Yes | Yes | ||
| 1968 | 2001: A Space Odyssey | Yes | Yes | Yes | Yes | Special photographic effects designer and director |
| 1971 | A Clockwork Orange | Yes | Yes | Yes | Additional camera operator (uncredited) | |
| 1975 | Barry Lyndon | Yes | Yes | Yes | ||
| 1980 | The Shining | Yes | Yes | Yes | ||
| 1987 | Full Metal Jacket | Yes | Yes | Yes | Yes | Murphy (uncredited voice cameo) |
| 1999 | Eyes Wide Shut | Yes | Yes | Yes | Additional camera operator (uncredited) |
As noted above, the 2001 film A.I.: Artificial Intelligence directed by Steven Spielberg is dedicated to Kubrick who originally had rights to the source material, provided the concept for the film, and did much of the groundwork preparation for it, including having supervised both story treatments and the conceptual art that were used in the final project. Spielberg made enormous efforts to be visually faithful to Kubrick's visual conception for the film.
Two scholarly books that are comparative critical studies of Kubrick's work discuss this film and even list it in their filmography. The website "The Kubrick Corner" also treats this as part of Kubrick's work. Finally, a book on the making of the film with a foreword by Spielberg also treats the film throughout as effectively a collaboration between Stanley Kubrick and Steven Spielberg. Other scholarly treatments of Kubrick largely ignore AI. A 2012-2013 retrospective of Kubrick's film at Los Angeles County Museum of Art is showing all of Kubrick's films over a period of two months, but does not include A.I.
Read more about this topic: Stanley Kubrick