Life
Weinbaum was born in Louisville, Kentucky and attended school in Milwaukee. He attended the University of Wisconsin–Madison in Madison, first as a chemical engineering major but later switching to English as his major, but contrary to common belief he did not graduate. On a bet, Weinbaum took an exam for a friend, and was later discovered; he left the university in 1923.
He is best known for the groundbreaking science fiction short story, "A Martian Odyssey", which presented a sympathetic but decidedly non-human alien, Tweel. Even more remarkably, this was his first science fiction story (in 1933 he had sold a romantic novel, The Lady Dances, to King Features Syndicate, which serialized the story in its newspapers in early 1934). Isaac Asimov has described "A Martian Odyssey" as "a perfect Campbellian science fiction story, before John W. Campbell. Indeed, Tweel may be the first creature in science fiction to fulfil Campbell's dictum, 'write me a creature who thinks as well as a man, or better than a man, but not like a man'." Asimov went on to describe it as one of only three stories that changed the way all subsequent ones in the science fiction genre were written. It is the oldest short story (and one of the top vote-getters) selected by the Science Fiction Writers of America for inclusion in The Science Fiction Hall of Fame, Volume One, 1929–1964.
Most of the work that was published in his lifetime appeared in either Astounding or Wonder Stories. However, several of Weinbaum's pieces first appeared in the early fanzine Fantasy Magazine (successor to Science Fiction Digest) in the 1930s, including an "Auto-Biographical Sketch" in the June 1935 issue. Despite common belief, Weinbaum was not one of the contributors to the multi-authored Cosmos serial in Science Fiction Digest/Fantasy Magazine. He did contribute to the multi-author story "The Challenge From Beyond", published in the September 1935 Fantasy Magazine. At the time of his death, Weinbaum was writing a novel, Three Who Danced. In this novel, the Prince of Wales is unexpectedly present at a dance in an obscure American community, where he dances with three of the local girls, choosing each for a different reason. Each girl's life is changed (happily or tragically) as a result of the unexpected attention she receives. In 1993, his widow, Margaret Hawtof Kay (b. 1906 in Waco, Texas), donated his papers to the Temple University Library in Philadelphia, Pennsylvania. Included were several unpublished manuscripts, among them Three Who Danced, as well as other unpublished stories (mostly romance stories, but there were also a few other non-fiction and fiction writings, none of them science fiction).
A film version of his short story "The Adaptive Ultimate" was released in 1957 under the title She Devil, starring Mari Blanchard, Jack Kelly, and Albert Dekker. The story was also dramatized on television; a Studio One titled "Kyra Zelas" (the name of the title character) aired on September 12, 1949. A radio dramatization of "The Adaptive Ultimate" was done on the anthology show Escape in the 1950s, yet for some reason Weinbaum was not credited as the author. A crater on Mars is named in his honor, and, on 18 July 2008, he won the Cordwainer Smith Rediscovery Award.
Read more about this topic: Stanley G. Weinbaum
Famous quotes containing the word life:
“If it is asserted that civilization is a real advance in the condition of man,—and I think that it is, though only the wise improve their advantages,—it must be shown that it has produced better dwellings without making them more costly; and the cost of a thing is the amount of what I will call life which is required to be exchanged for it, immediately or in the long run.”
—Henry David Thoreau (1817–1862)
“I have scarcely felt greater pain in my life than on learning yesterday from Bob’s letter, that you had failed to enter Harvard University. And yet there is very little in it, if you will allow no feeling of discouragement to seize, and prey upon you.”
—Abraham Lincoln (1809–1865)
“Coming to terms with the rhythms of women’s lives means coming to terms with life itself, accepting the imperatives of the body rather than the imperatives of an artificial, man-made, perhaps transcendentally beautiful civilization. Emphasis on the male work-rhythm is an emphasis on infinite possibilities; emphasis on the female rhythms is an emphasis on a defined pattern, on limitation.”
—Margaret Mead (1901–1978)