Right-hand Electric Bass Technique
When playing electric bass, Clarke places his right hand so that his fingers approach the strings much as they would on an upright bass, but rotated through 90 degrees. To achieve this, his forearm lies above and nearly parallel to the strings, while his wrist is hooked downward at nearly a right angle. For lead and solo playing, his fingers partially hook underneath the strings so that when released, the strings snap against the frets, producing a biting percussive attack. In addition to an economical variation on the funky Larry Graham-style slap-n'-pop technique, Clarke also uses downward thrusts of the entire right hand, striking two or more strings from above with his fingernails (examples of this technique include "School Days", "Rock and Roll Jelly", "Wild Dog", and "Danger Street").
Read more about this topic: Stanley Clarke
Famous quotes containing the words electric, bass and/or technique:
“The sight of a planet through a telescope is worth all the course on astronomy; the shock of the electric spark in the elbow, outvalues all the theories; the taste of the nitrous oxide, the firing of an artificial volcano, are better than volumes of chemistry.”
—Ralph Waldo Emerson (1803–1882)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)
“Technique is the test of sincerity. If a thing isn’t worth getting the technique to say, it is of inferior value.”
—Ezra Pound (1885–1972)