Stanford Band - Controversial Actions By The Band - "The Play"

"The Play"

The Band's most infamous and controversial moment, however, had nothing to do with its irreverence. In the final four seconds of the 1982 Big Game against the University of California, Berkeley (Cal), band members (as well as players from Stanford) ran out onto the field, thinking the game was over after Stanford players appeared to have tackled ball-carrier Dwight Garner. Garner managed to lateral it to another player, and they continued to lateral back and forth, with Cal's Kevin Moen dodging through the band for a winning touchdown, which he ended by running over LSJUMB trombone player Gary Tyrrell in the end zone. "The Play" is celebrated by Cal fans and inspires the ire of many Stanford fans. To this day, it remains one of the most famous and controversial plays in American football history.

In 2002, during the Big Game halftime show, the LSJUMB performed a humorous re-enactment of The Play. Special emphasis was placed on the allegation that Cal player Garner's knee touched the ground before his lateral; all band members performing the re-enactment froze in place at this stage, and a single member, carrying a large yellow arrow, ran out and repeatedly pointed at the "down" Garner. Officials at the time did not call Garner down and though no instant replay rule was in effect at the time, game tape appears inconclusive.

To this day the position of Band Manager is conferred from one generation to the next with 4 seconds left in the Big Game in commemoration of The Play.

Read more about this topic:  Stanford Band, Controversial Actions By The Band

Famous quotes containing the word play:

    They said, “You have a blue guitar,
    You do not play things as they are.”
    The man replied, “Things as they are
    Are changed upon a blue guitar.”
    Wallace Stevens (1879–1955)

    My first big mistake was made when, in a moment of weakness, I consented to learn the game; for a man who can frankly say “I do not play bridge” is allowed to go over in the corner and run the pianola by himself, while the poor neophyte, no matter how much he may protest that he isn’t “at all a good player, in fact I’m perfectly rotten,” is never believed, but dragged into a game where it is discovered, too late, that he spoke the truth.
    Robert Benchley (1889–1945)