Critical Reception and Influence
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
The album has been critically well-received, variously described as "legendary", "seminal", and "one of the classic blues albums of the decade." Its success established Musselwhite in the field of blues music, but it had impact on the rock and roll music world as well. The Southside Band, named for Chicago's South Side, was a combination of blues rhythm section—with Fred Below and Bob Anderson—and rock-influenced musicians Barry Goldberg and Harvey Mandel. Among the first blues albums targeted also to fans of rock and roll, it was influential in bridging the gap between blues and rock. The album's success allowed Musselwhite to launch a career as a full-time musician, relocating from Chicago to California, and also secured his reputation as a harmonica player whose collaborations have included Muddy Waters, Howlin' Wolf, Tom Waits, Ben Harper and INXS. The album is among Musselwhite's most successful.
Read more about this topic: Stand Back! Here Comes Charley Musselwhite's Southside Band
Famous quotes containing the words critical, reception and/or influence:
“Most critical writing is drivel and half of it is dishonest.... It is a short cut to oblivion, anyway. Thinking in terms of ideas destroys the power to think in terms of emotions and sensations.”
—Raymond Chandler (1888–1959)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“Exhaust them, wrestle with them, let them not go until their blessing be won, and, after a short season, the dismay will be overpast, the excess of influence withdrawn, and they will be no longer an alarming meteor, but one more brighter star shining serenely in your heaven, and blending its light with all your day.”
—Ralph Waldo Emerson (1803–1882)