History
One of the first albums was the Stanley Gibbons “V.R.” published in the early 1870s. This was followed by the “Improved”, and then the illustrated “Imperial” albums. Present-day makers include Safe, Lighthouse (Leuchturm), Lindner, Palo, Scott, and White Ace. Once collectors have started using a particular brand, they have a strong incentive to stay with it, and the manufacturers offer annual updates for the stamps issued during the previous year.
In the earliest albums, stamps were adhered to the pages, using either their own gum (as if put on an envelope) or glue. Stamp hinges were introduced soon after, allowing stamps to be removed without major damage to either the stamp or the album page. In the second half of the 20th century, stamp mounts were introduced. Mounts typically hold the stamp between two layers of plastic, with the front layer transparent, and are attached to an album page, allowing the stamp to be displayed without an adhesive touching the stamp. When properly used, mounts allow the stamp to be removed from the album in the same condition in which it was inserted. An album in which the mounts are affixed at the factory, either as mounts for individual stamps or as larger strips, is called "hingeless".
Read more about this topic: Stamp Album
Famous quotes containing the word history:
“the future is simply nothing at all. Nothing has happened to the present by becoming past except that fresh slices of existence have been added to the total history of the world. The past is thus as real as the present.”
—Charlie Dunbar Broad (1887–1971)
“Don’t give your opinions about Art and the Purpose of Life. They are of little interest and, anyway, you can’t express them. Don’t analyse yourself. Give the relevant facts and let your readers make their own judgments. Stick to your story. It is not the most important subject in history but it is one about which you are uniquely qualified to speak.”
—Evelyn Waugh (1903–1966)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)