Description of Modifications
Avner's modifications included:
- extensive tattooing, including facial tattooing
- hairline modification
- piercing of his upper lip and transdermal implants on his forehead to facilitate the wearing of whiskers
- facial subdermal implants to change the shape of the brow, forehead, and the bridge of the nose (a planned future implant on the top of his head for mounting tiger-like ears)
- flattening of his nose via septum relocation
- filing and capping of his teeth to have a more feline appearance
- wearing green contact lenses with slit irises
- having his ears pointed and the earlobes elongated
- silicone injection in his lips, cheeks, chin, and other parts of his face
- bifurcated upper lip
Avner himself claimed not to have kept track of the money he had spent on body modification, although some sources do state a total. Avner, whose parents were of Huron and Lakota heritage, stated that altering oneself to resemble one's own totem is an ancient Huron tradition. The former Navy sonar technician who worked as a computer programmer took on the name Stalking Cat and began his modifications after a discussion with a Native chief who reportedly inspired him to "follow the ways of the tiger".
As a result of his unusual appearance, Avner attained local celebrity status and frequently traveled to attend interviews and photo sessions. He appeared and was interviewed on such television and radio shows as Ripley's Believe It or Not!, Larry King Live, VH1's Totally Obsessed, Kerrang! Radio's The Night Before, BBC Choice's Anna in Wonderland (Episode 6), and Animal Planet's Weird, True & Freaky (2008 episode "Humanimals").
Many of Avner's body modifications were performed by Arizona-based artist Steve Haworth. The first artist to begin the extensive tattoo work on Avner's face was Larry Hanks of San Diego in 1985.
Read more about this topic: Stalking Cat
Famous quotes containing the words description of and/or description:
“The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a global village instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacles present vulgarity.”
—Guy Debord (b. 1931)
“God damnit, why must all those journalists be such sticklers for detail? Why, theyd hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.”
—Lyndon Baines Johnson (19081973)