Production
While the film is rooted in historical fact – the first English theatre actress, although her name is unknown, is believed to have performed the role of Desdemona – some liberties with the truth were taken. Nell Gwynne is represented as a mistress of the King who subsequently becomes an actress, but in reality she already was a noted theatre personality when Charles II met her. The sequence in which Maria and Kynaston discover naturalistic acting is anachronistic, as naturalism was not developed until the 19th century.
Interiors were filmed at the Old Royal Naval College in Greenwich and Shepperton Studios in Surrey. According to commentary by production designer Jim Clay on the DVD release of the film, because so little English Restoration architecture remains in London, and documentation of the period is minimal, he was required to use his imagination in creating buildings and back alleys on sound stages.
In the DVD commentary, several cast members recall the film was shot during the hottest UK summer on record (2003), and the temperature under the lights usually hovered at 46 degrees C (115 F), making performing in the heavy, layered costumes a grueling experience.
The Costumes were designed by Tim Hatley. Twelve costume houses were involved in the production, including The Royal Shakespeare Company, The National Theater, and Angels & Bermans, as well as the Italian houses Sartoria Farani, Tirelli, Costumi d'Arte, E. Rancati, G.P. 11, and Pompei.
The film premiered at the Tribeca Film Festival in May 2004 prior to its general release in the UK. It was shown at the Deauville Film Festival, the Toronto Film Festival, and the Dinard Festival of British Cinema in France before opening in New York City.
Read more about this topic: Stage Beauty
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)