Stage Beauty - Plot

Plot

Ned Kynaston (Billy Crudup) is one of the leading actors of his day, famed for his portrayal of female characters, particularly Desdemona in Othello. His loyal dresser, Maria (Claire Danes), longs to perform on stage but is forbidden to do so by a law enacted by the Puritans prior to the return of the House of Stuart to the throne. She fulfills her desire by appearing in plays presented in a local tavern under the name Margaret Hughes. Word of her performances spread and the novelty of a woman on stage draws the attention of Sir Charles Sedley (Richard Griffiths), who offers to be her patron, and eventually the attention of King Charles II (Rupert Everett) himself.

Kynaston's rant against allowing women on stage is overheard by Nell Gwynn (Zoe Tapper), an aspiring actress and Charles II's mistress, and she literally seduces Charles into banning men from playing female roles. As a result, Kynaston loses his lover, George Villiers (Ben Chaplin), the Duke of Buckingham, and the acceptance of London society. Unable to shake the feminine characteristics he has perfected over the years, he is reduced to performing bawdy songs in drag in music halls, while Maria's career thrives, though her abilities leave much to be desired, as she bases everything she does on Kynaston's performances.

When Maria is called upon to portray Desdemona for the king, she panics and her friends implore Kynaston to coach her. Not only does he agree, but he insists on replacing company head Thomas Betterton in the role of the titular protagonist. In doing so, he discovers his ability to portray a male character, while Maria evolves from an actress of middling talent to an acclaimed theatrical star.

Read more about this topic:  Stage Beauty

Famous quotes containing the word plot:

    There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.
    Ralph Waldo Emerson (1803–1882)

    After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.
    Mary Kay Blakely (20th century)

    Ends in themselves, my letters plot no change;
    They carry nothing dutiable; they won’t
    Aspire, astound, establish or estrange.
    Philip Larkin (1922–1986)