Music
Gustav Holst was Director of Music at the school during the period he composed his orchestral suite, The Planets; he was succeeded by Herbert Howells before John Gardner followed in the 1950s. Gardner wrote many memorable pieces for the school, including his popular Christmas carols Tomorrow Shall be My Dancing Day and The Holly and the Ivy.
The school has many music programs, for mainstream pupils, and also scholarship or advanced pupils. The training orchestra, called the "Sinfonia", is generally for years 7-9, however some lower ability students stay on. It trains for one and a half hours a week. The advanced orchestra, called the "Symphony", is generally for years 10 and above, however, higher ability and scholarship musicians from younger year groups perform in it as well. It trains for two hours a week. There are also a number of string, brass and flute groups, as well as a wind band. The school also has a choral program. For Lower School students (ages 11-13), there is the Junior Choir. For Middle School Students (ages 14-16) there is a Middle School Choir. Both of these are open to all. However, for the Senior School (ages 16-18), there is a select choir. For the entire school, there is an advanced choir - "Paulina Voices" - to which admission is by audition only.
Read more about this topic: St Paul's Girls' School
Famous quotes containing the word music:
“Since a man must bring
To music what his mother spanked him for
When he was two ...”
—Gwendolyn Brooks (b. 1917)
“Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.”
—Friedrich Nietzsche (1844–1900)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)