Subsequent Work
Much work was carried out over the next fifty years, mostly in the form of additions to or replacements of existing fixtures; nevertheless, many of the original mediaeval features of the church were either lost or had their impact reduced.
Somers Clarke, the clerk of the administrative vestry for 62 years from 1830, donated a new pulpit to the church in 1867, after the original three-deck structure was removed by Carpenter and replaced with a much smaller wooden example. Clarke's pulpit was made of iron. A new organ, costing £500, was installed in 1872, and a new vestry was built between 1876 and 1877 to the north of the chancel.
Between 1878 and 1887, a number of stained glass windows were designed and installed. The noted designer Charles Eamer Kempe, a cousin of Thomas Read Kemp, the developer of Brighton's Kemp Town estate, was responsible for many of these; another was donated by Somers Clarke in memory of Rev. Wagner, who had died in 1870. Also during this period, the east window installed by Carpenter was replaced with a Perpendicular-style window. The original window was taken to the relatively new Church of the Annunciation in the Hanover area of the town.
A significant alteration was made in 1892, when the whole roof was removed and lifted mechanically in order to create more space internally. The gap was filled with a series of clerestory windows, and various paintings and murals were added to the new internal space painted by Charles Eamer Kempe.
The 15th-century chantry chapel underwent another change in 1900. Having been reduced in size in the 1853 redevelopment, it was enlarged again, before being converted into a Lady chapel in 1909.
Read more about this topic: St Nicholas' Church, Brighton
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