Architecture
The architecture of St. Mary le Strand proved controversial from the outset and the architect later expressed unhappiness at the way that his plans had been altered by the Commissioners. According to Gibbs, the church was originally intended to be an Italianate structure with a small campanile over the west end and no steeple. Instead of the latter, a column 250 feet (76 m) high surmounted with a statue of Queen Anne was to have been erected a short distance to the west of the church. A great quantity of stone was purchased and brought to the spot, but the plan was abandoned on the death of the queen in 1714. Instead, the architect was ordered to reuse the stone to build a steeple, which fundamentally altered the plan of the church. Gibbs explained:
| “ | The building being then advanced twenty feet above ground, and therefore admitting of no alteration from east to west, which was only fourteen feet, I was obliged to spread it from south to north, which makes the plan oblong, which should otherwise have been square. | ” |
The extravagant Baroque ornamentation of the exterior was criticised at the time, and matters were not helped when one of the decorative urns surmounting the exterior of the church fell off and killed a passer-by during a procession in 1802. The prominent situation of the church has also been problematic; even in the 18th century, parishioners complained of the traffic noise.
Even so, the church — Gibbs' first public building — won him considerable fame. The interior of the structure is richly decorated with a plastered ceiling in white and gold, with a ceiling inspired by Luigi Fontana's work in the church of Santi Apostoli and Pietro da Cortona's Santi Luca e Martina, both in Rome. The porch was inspired by Cortona's Santa Maria della Pace. The walls were influenced by Michelangelo and the steeple shows the influence of Sir Christopher Wren.
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