St John's Wood in Literature and Music
- St John's Wood is the home of fictional characters Bingo and Rosie Little in P. G. Wodehouse's Jeeves and Wooster books.
- Irene Adler lives there (in Briony Lodge on Serpentine Avenue) in Arthur Conan Doyle's Sherlock Holmes story "A Scandal in Bohemia".
- In the first installment of John Galsworthy's The Forsyte Saga, The Man of Property, Young Jolyon lives on fictional Wistaria Avenue with his second wife and family.
- Referenced in the Rolling Stones song, Play with Fire, released in 1965.
- Setting of Howard Jacobson's book The Making of Henry. In Jacobson's 2010 Man Booker Prize winning novel The Finkler Question, St John's Wood is the planned location for the Museum of Anglo-Jewish Culture.
- Count and Countess Fosco live at No. 5 Forest Road, St. John's Wood in Wilkie Collins's 1859 sensation novel "The Woman in White".
Read more about this topic: St John's Wood
Famous quotes containing the words wood, literature and/or music:
“Instead of calling on some scholar, I paid many a visit to particular trees, of kinds which are rare in this neighborhood, standing far away in the middle of some pasture, or in the depths of a wood or swamp, or on a hilltop.... These were the shrines I visited both summer and winter.”
—Henry David Thoreau (18171862)
“If Steam has done nothing else, it has at least added a whole new Species to English Literature ... the bookletsthe little thrilling romances, where the Murder comes at page fifteen, and the Wedding at page fortysurely they are due to Steam?
And when we travel by electricityif I may venture to develop your theorywe shall have leaflets instead of booklets, and the Murder and the Wedding will come on the same page.”
—Lewis Carroll [Charles Lutwidge Dodgson] (18321898)
“And in the next instant, immediately behind them, Victor saw his former wife.
At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.”
—Vladimir Nabokov (18991977)