Yellow Fever and Urban Development
A yellow fever epidemic in Chattanooga caused an exodus in 1878. Almost 12,000 people fled the city, many going to Lookout Mountain. At the time, the mountain was accessible on the north side only by a four-hour trip up the old Whiteside Turnpike, which was built in the 1850s and cost a toll of two dollars. Complaints about the toll led to the 1879 construction of the St. Elmo Turnpike, which had an easier grade and a lower toll (the St. Elmo turnpike was paved and renamed the Adolphus S. Ochs Highway in the late 1920s).
Until the 1880s, the area at the foot of Lookout Mountain remained primarily a wooded area. The real boom in the growth of St. Elmo as a residential community coincided with the planning and development of the Chickamauga and Chattanooga National Military Park, which was dedicated in 1890. At the time, St. Elmo saw development resulting from both a general real estate and construction boom in the South and the 1893 expansion of an electric trolley from Chattanooga to St. Elmo.
Read more about this topic: St. Elmo Historic District (Chattanooga, Tennessee)
Famous quotes containing the words yellow, fever, urban and/or development:
“Tell me how many beads there are
In a silver chain
Of evening rain,
Unravelled from the tumbling main,
And threading the eye of a yellow star:
So many times do I love again.”
—Thomas Lovell Beddoes (18031849)
“Yknow Pete, back where I come from folks call that love stuff quick poison or slow poison. If its quick poison it hurts you all over real bad like a shock of electricity. But if its slow poison, well, its like a fever that aches in your bones for a thousand years.”
—Dalton Trumbo (19051976)
“A peasant becomes fond of his pig and is glad to salt away its pork. What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and and not by a but.”
—John Berger (b. 1926)
“For decades child development experts have erroneously directed parents to sing with one voice, a unison chorus of values, politics, disciplinary and loving styles. But duets have greater harmonic possibilities and are more interesting to listen to, so long as cacophony or dissonance remains at acceptable levels.”
—Kyle D. Pruett (20th century)