Interior
In the church the piers carrying the arcade are very slender. At the entrance to the tower, the chancel, and the chapel are tall, painted Perpendicular arches. In the tower are the organ and the choir gallery. The chancel arch contains a rood screen. On the screen are three 15th-century German figures that were coloured by Pugin. The chancel has a coloured tile floor, a sedilia in the south wall, and an ornate altar piece with a statue in an aedicule over the tabernacle and 12 figures of saints on each side of it. The altarpiece of the chapel consists of a statue in a niche flanked by panels depicting scenes from the life of Mary. Another altar is at the east end of the north aisle. The pulpit was added in 1854. The pulpit, and the altarpiece in the chapel, were designed by E. W. Pugin, and carved by Richard Hassall. The stained glass in the east window is either by William Warrington or William Wailes to A. G. Pugin's design. The south window in the chapel is dated 1846, is by Hardman, and also designed by Pugin. The organ was built by Gray & Davison and moved to St Alban's from St Michael's Church, Macclesfield in 1885. It was rebuilt by the same firm in the 1910s.
Read more about this topic: St Alban's Church, Macclesfield, Architecture
Famous quotes containing the word interior:
“The exterior must be joined to the interior to obtain anything from God, that is to say, we must kneel, pray with the lips, and so on, in order that proud man, who would not submit himself to God, may be now subject to the creature.”
—Blaise Pascal (1623–1662)
“When the delicious beauty of lineaments loses its power, it is because a more delicious beauty has appeared; that an interior and durable form has been disclosed.”
—Ralph Waldo Emerson (1803–1882)
“An absolute can only be given in an intuition, while all the rest has to do with analysis. We call intuition here the sympathy by which one is transported into the interior of an object in order to coincide with what there is unique and consequently inexpressible in it. Analysis, on the contrary, is the operation which reduces the object to elements already known.”
—Henri Bergson (1859–1941)