Squeeze (The X-Files) - Themes

Themes

Although it did not directly impact the ongoing storyline of The X-Files, "Squeeze" introduced key thematic elements to the series. "Squeeze" has been described as "the episode where Dana Scully must publicly pick a side". She had previously confronted military officials in "Deep Throat", and has "carefully worded" her reports to protect her partner Mulder from ridicule, but an encounter with former colleague Tom Colton forces her to openly choose between Mulder and the politics of careerism. These developments with Colton " another thread between her career and the rest of the FBI", highlighting a sense of "exasperation and derision" from her colleagues, whose mindsets represent "institutionally acceptable" models of reality.

This hostility suggests that the series' problems are "not epistemological; they are political"—the agents, Scully in particular, have to balance a search for "the truth" with the need to secure criminal convictions in their cases. This balancing act "between investigating to discover the truth and gathering evidence to support a court case" has been compared to the perceived stance of the FBI during the series' tenure. The bureau had at this time seen itself as a law enforcement agency responsible for amassing evidence to prosecute criminal cases. There is a disparity between this approach and public perception of the FBI's role as an organization investigating an objective and apolitical truth; this led to public frustration "because incorrectly believe that a courtroom is designed to discover the truth".

Read more about this topic:  Squeeze (The X-Files)

Famous quotes containing the word themes:

    I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.
    Henry David Thoreau (1817–1862)

    In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.
    Barbara Ehrenreich (b. 1941)