Story
In the Vegetable Kingdom, The King (a tomato) decides it is time to find his daughter Princess Mato a husband. She feels embarrassed by this. This is when the castle is stormed by Devi, a demonic beetle that represents the Devil.
Princess Mato is kidnapped and taken to Devi's castle where he holds her prisoner. The King is terrified for his daughter's life and orders two knights, Arnie Eggplant and Gerrit Carrot to go rescue her. Both head off on their journey but they never return. This is when Spud, a lonely wanderer offers to go to Devi's castle and attempt to find The King's daughter. The King is grateful for his help, and gives Spud his blessing.
During the adventure, Spud rescues both Arnie and Gerrit, who decide to help Spud by finishing the job they started. Spud even meets on of Arnie's friends on the first floor of the castle, Terry Turnip, who replaces Arnie in helping Spud find the Princess later on throughout the game. In the end, Devi and Spud face off alone and Spud is victorious. Devi defeated, Spud rescues the Princess and returns her to The King. Spud then says it is time for him to go, and he leaves to continue wandering the world.
Princess Mato calls after him, and decides she wants to go with him, and with this, the game is over.
| Reception | |
|---|---|
| Review scores | |
| Publication | Score |
| Allgame | |
Read more about this topic: Spud's Adventure
Famous quotes containing the word story:
“Yet if strict criticism should till frown on our method, let candor and good humor forgive what is done to the best of our judgment, for the sake of perspicuity in the story and the delight and entertainment of our candid reader.”
—Sarah Fielding (1710–1768)
“Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.”
—Raymond Chandler (1888–1959)
“The child ... stands upon a place apart, a little spectator of the world, before whom men and women come and go, events fall out, years open their slow story and are noted or let go as his mood chances to serve them. The play touches him not. He but looks on, thinks his own thought, and turns away, not even expecting his cue to enter the plot and speak. He waits,—he knows not for what.”
—Woodrow Wilson (1856–1924)