Folk Dance
- Ugrós (Jumping dances): Old style dances dating back to the Middle Ages. Solo or couple dances accompanied by old style music, shepherd and other solo man's dances from Transylvania, and marching dances along with remnants of medieval weapon dances belong in this group.
- Karikázó: a circle dance performed by only women, and accompanied by singing of folksongs.
- Csárdás: New style dances developed in the 18th and 19th centuries, is the Hungarian name for the national dances, with Hungarian embroidered costumes and energetic music. From the men's intricate bootslapping dances to the ancient women's circle dances, Csárdás demonstrates the infectious exuberance of the Hungarian folk dancing still celebrated in the villages.
- Verbunkos: a solo man's dance evolved from the recruiting performances of the Austro-Hungarian army.
- The Legényes: It is a men's solo dance done by the ethnic Hungarian people living in the Kalotaszeg region of Transylvania. Although usually danced by young men, it can be also danced by older men. The dance is performed freestyle usually by one dancer at a time in front of the band. Women participate in the dance by standing in lines to the side and sing/shout verses while the men dance. Each lad does a number of points (dance phrases) typically 4 to 8 without repetition. Each point consists of 4 parts, each lasting 4 counts. The first part is usually the same for everyone (there are only a few variations).
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Famous quotes containing the words folk and/or dance:
“Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have “really happened,” or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.”
—Northrop Frye (1912–1991)
“Ask a wise man to dinner and he’ll upset everyone by his gloomy silence or tiresome questions. Invite him to a dance and you’ll have a camel prancing about. Haul him off to a public entertainment and his face will be enough to spoil the people’s entertainment.”
—Desiderius Erasmus (c. 1466–1536)