Alternate Accounts of The Diamond's Antecedents
It is not known with any certainty how this diamond came to the Topkapı Palace. The museum's records do list a ring stone called the Spoonmaker's Diamond, which is noted as having already belonged to the 17th century Sultan Mehmet IV. However, this stone, along with its gold, is only −-220 g (−10 carats), which is much smaller than the present Spoonmaker's Diamond. Several mutually exclusive accounts exist regarding the origin of the Spoonmaker's Diamond. They continue to circulate, having become part of the Turkish popular culture and being repeated by tourist guides, and in printed guide books.
Read more about this topic: Spoonmaker's Diamond
Famous quotes containing the words alternate, accounts, diamond and/or antecedents:
“It might become a wheel spoked red and white
In alternate stripes converging at a point
Of flame on the line, with a second wheel below,
Just rising, accompanying, arranged to cross,
Through weltering illuminations, humps
Of billows, downward, toward the drift-fire shore.”
—Wallace Stevens (1879–1955)
“But, on more accounts than one, I had had enough of moose-hunting. I had not come to the woods for this purpose, nor had I foreseen it, though I had been willing to learn how the Indian manvred; but one moose killed was as good, if not as bad, as a dozen.”
—Henry David Thoreau (1817–1862)
“Masts in the offing wagged their tops;
The swinging waves pealed on the shore;
The saffron beach, all diamond drops
And beads of surge, prolonged the roar.”
—John Davidson (1857–1909)
“The conclusion suggested by these arguments might be called the paradox of theorizing. It asserts that if the terms and the general principles of a scientific theory serve their purpose, i. e., if they establish the definite connections among observable phenomena, then they can be dispensed with since any chain of laws and interpretive statements establishing such a connection should then be replaceable by a law which directly links observational antecedents to observational consequents.”
—C.G. (Carl Gustav)