Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameRankings | 66.40% (DS) 58.83% (Wii) 57.50% (PS2) |
| Metacritic | 48/100 (DS) 47/100 (Wii) 39.33/100 (PS2) |
| Review scores | |
| Publication | Score |
| GameZone | 7/10 (Wii) 4.5/10 (PS2) |
| IGN | 5.5/10 (Wii) |
SpongeBob SquarePants featuring Nicktoons: Globs of Doom received middling to negative reviews from critics. Louis Bedigian of GameZone described the Wii version as "a button-masher for gamers under 12" and decided that "it won't rock anyone's world, but if you know a kid who loves these Nicktoons characters and enjoys simple, battle-filled games, Globs of Doom is one of SpongeBob's better adventures. Angelina Sandoval, also of GameZone, said that "Globs of Doom could have been that extraordinary kid's title and SpongeBob SquarePants game but it just falls short in almost every way. It's also not a very fun game despite the variety of characters and co-op gameplay. If your young gamer loves all of these characters I highly recommend a rental instead." Adam Ballard of IGN concluded that "Ultimately, it's a subpar SpongeBob game with Nicktoons tacked on for good measure. Suffice it to say that no amount of licensed characters can save this game from its monotonous gameplay and wretched camera."
Read more about this topic: Sponge Bob Square Pants Featuring Nicktoons: Globs Of Doom
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)