Spiritual Warfare - Criticism

Criticism

In evangelism and worldwide Christian missions, former missionaries such as Charles Kraft and C. Peter Wagner have emphasized problems with demonic influences on the world mission fields and the need to drive demons out. Robert Guelich of Fuller Theological Seminary has questioned the extent to which spiritual warfare has shifted from its basic moorings from being a metaphor for the Christian life. He underlines how spiritual warfare has evolved into "spiritual combat" techniques for Christians to seek power over demons. Guelich argues that Paul's writings in the Epistle to the Ephesians are focused on proclaiming the peace of God and nowhere specify any techniques for battling demons. He also finds that the novels of Frank Peretti are seriously at odds with both the gospel narratives on demons and Pauline teaching.

Missions specialists such Scott Moreau and Paul Hiebert have detected traces of animist thought encroaching on both evangelical and charismatic discourses about the demonic and spiritual warfare. Hiebert indicates that a dualist cosmology now appears in some spiritual warfare texts and it is based on the Greco-Roman mystery religions and Zoroastrian myths. However, Hiebert also chastises other evangelicals who have absorbed the modern secular outlook and have tended to downplay or even ignore the demonic. Hiebert speaks of the flaw of the excluded middle in the thinking of some evangelicals who have a cosmology of God in heaven and humans on earth, but have ignored the "middle" realm of the angelic and demonic.

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Famous quotes containing the word criticism:

    I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.
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    However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.
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