Spire - Gothic and Neo-gothic Spires

Gothic and Neo-gothic Spires

A spire declared the presence of the gothic church at a distance and advertised its connection to heaven. The tall, slender pyramidal twelfth-century spire on the south tower Chartres Catedral is one of the earliest spires. Openwork spires were an astounding architectural innovation, beginning with the early fourteenth-century spire at Freiburg cathedral, in which the pierced stonework was held together by iron cramps. The openwork spire, according to Robert Bork, represents a "radical but logical extension of the Gothic tendency towards skeletal structure." The organic skeleton of Antoni Gaudi's phenomenal spires at the Sagrada Família in Barcelona represent an outgrowth of this Gothic tendency. Designed and begun by Gaudi in 1884, they were not completed until the 20th century.

In England, "spire" immediately brings to mind Salisbury Cathedral. Its 403-foot (123-m) spire, built between 1320 and 1380, is one of the tallest of the period anywhere in the world. A similar but slightly smaller spire was built at Leighton Buzzard in Bedfordshire, England, which indicates the popularity of the spire spreading across the country during this period. We will never know the true popularity of the medieval spire, as many more collapsed within a few years of building than ever survived to be recorded. In the United Kingdom spires generally tend to be reserved for ecclesiastical building, with the exception to this rule being the spire at Burghley House, built for Elizabeth I's Lord Chancellor in 1585.

In the early Renaissance the spire was not restricted to the United Kingdom: the fashion spread across Europe. After the destruction of the 135 m tall spire of the St. Lambert's Cathedral, Liège in the 19th century, the 123 m spire of Antwerp is the tallest ecclesiastical structure in the low countries . Between 1221 and 1457 richly decorated open spires were built for the Cathedral of Burgos in Spain while at Ulm Cathedral in Germany the 529-foot (161-m) spire built in the imported French Gothic style between 1377 and 1417 ultimately failed.

Interestingly, the Italians never really embraced the spire as an architectural feature, preferring the classical styles. The gothic style was a feature of Germanic northern Europe and was never to the Italian taste, and the few gothic buildings in Italy always seem incongruous.

The blend of the classical styles with a spire occurred much later. In 1822, in London, John Nash built All Souls' Church, Langham Place, a circular classical temple, with Ionic columns surmounted by a spire supported by Corinthian columns. Whether this is a happy marriage of styles or a rough admixture is a question of individual taste.

During the 19th century the Gothic revival knew no bounds. With advances in technology, steel production, and building techniques the spire enjoyed an unprecedented surge through architecture, Cologne Cathedral's famous spires, designed centuries earlier, were finally completed in this era.

Spires have never really fallen out of fashion. In the twentieth century reinforced concrete offered new possibilities for openwork spires.