Production
Spider-Man: The New Animated Series was initially supposed to be an adaptation of the Ultimate Spider-Man comics. However, after the success of the first Spider-Man film, the show was reworked to follow that continuity. The series was produced by Brian Michael Bendis, who wrote on Ultimate Spider-Man comics, for Sony Pictures Television, who had purchased the film and television rights to the character.
Peter Parker was originally supposed to wear baggier clothes to hide his superhero musculature, but cost-effective difficulties with the CG format prevented folds from being put into his everyday attire. As a result, Peter's street clothes were redesigned to be close-fitting and contemporary, while still managing to hide his physique (and the costume he wore under his clothes) as Spider-Man.
The character of Aunt May was not include in the series (except for a photograph in Peter's bedroom), because MTV executives feared that the appearance of any old people would deter their target youth audience from watching. The producers found that the more relaxed standards of MTV allowed them more creative freedom than usually allowed for a Saturday morning cartoon show.
Read more about this topic: Spider-Man: The New Animated Series
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—Friedrich Engels (1820–1895)
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“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)