Sperry Top-Sider - History

History

Sperry was an avid boater who, like most boaters, risked injury while walking on the slippery deck of his boat. His successful design was inspired by his cocker spaniel, Prince. While watching Prince run across the ice on a winter's day in Connecticut, he noticed his dog's amazing ability to maintain traction on the slippery surface. The pattern of grooves or cracks on his dog's feet gave him the idea for a leather upper-shoe with a herringbone pattern of grooves on the sole. The cutting of grooves in the sole of the Top-Sider was an implementation of a process of splitting or siping a shoe sole invented and patented in the 1920s by John Sipe. This process was instrumental in maximizing the traction and performance of the Authentic Original Sperry Top-Sider first introduced in 1935. Sperry's shoe quickly became popular with boaters not only for its non-slip sole but also for its white color, which prevented the shoe from leaving marks on a boat's deck. The shoe remained a niche product until 1939 when the U.S. Navy negotiated the right to manufacture the shoe for its sailors. As a result of the Navy contract, Sperry's business was purchased by the U.S. Rubber Co., which then marketed the shoe across the country.

Read more about this topic:  Sperry Top-Sider

Famous quotes containing the word history:

    Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.
    John Dos Passos (1896–1970)

    The history is always the same the product is always different and the history interests more than the product. More, that is, more. Yes. But if the product was not different the history which is the same would not be more interesting.
    Gertrude Stein (1874–1946)

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)