Speirs and Major Associates - Notable Projects

Notable Projects

  • Infinity Bridge, Stockton-on-Tees, UK (2009)
  • Armani Fifth Avenue, New York, USA (2009)
  • Sheikh Zayed Mosque, Abu Dhabi, UAE (2008)
  • Beijing Capital International Airport, Beijing, PRC (2008)
  • The restoration of the Royal Festival Hall, London (2007)
  • Armani/Ginza flagship store, Tokyo, Japan (2007)
  • BBC Scotland exterior lighting, Glasgow, UK (2007)
  • Durham Lighting Strategy, Durham, UK (2007)
  • Terminal 4, Barajas Airport, Madrid, Spain (2006)
  • The interior of St Paul’s Cathedral, London (2006)
  • The Sackler Crossing, Kew Gardens, London (2006)
  • 30 St Mary Axe, (The Gherkin), London (2004)
  • The Copenhagen Opera House, Copenhagen, Denmark (2004)
  • World Squares for All (Trafalgar Square) London (2003)
  • Gateshead Millennium Bridge, UK (2002)
  • Magna Science Adventure Centre, Rotherham, UK (2001)
  • The Millennium Dome, Greenwich, London (2000)
  • Burj Al Arab Hotel exterior, Dubai, UAE (1999)


RIBA Stirling Prize collaborations
Speirs and Major Associates have designed lighting for a number of buildings that have either won or been nominated for the RIBA Stirling Prize for architecture.

Stirling Prize winners:

  • Maggie's Centre London (Rogers Stirk Harbour + Partners) in 2009
  • Terminal 4, Barajas Airport, Madrid (Richard Rogers Partnership) in 2006
  • 30 St Mary Axe (The Gherkin), London (Foster and Partners) in 2004
  • The Gateshead Millennium Bridge (Wilkinson Eyre) in 2002
  • The Magna Centre, Rotherham (Wilkinson Eyre) in 2001

Stirling Prize shortlisted projects:

  • 5, Aldermanbury Square, London (Eric Parry Architects) in 2009
  • The Royal Festival Hall Restoration (Allies and Morrison) in 2008
  • The Dresden Main Station Redevelopment (Foster and Partners) in 2007
  • The Phoenix Initiative, Coventry (MJP Architects) in 2004
  • The Dance Base, Grassmarket, Edinburgh (Malcolm Fraser Architects) in 2002

Read more about this topic:  Speirs And Major Associates

Famous quotes containing the words notable and/or projects:

    “Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when it’s more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.”
    —Aldous Huxley (1894–1963)

    “But look what we have built ... low-income projects that become worse centers of delinquency, vandalism and general social hopelessness than the slums they were supposed to replace.... Cultural centers that are unable to support a good bookstore. Civic centers that are avoided by everyone but bums.... Promenades that go from no place to nowhere and have no promenaders. Expressways that eviscerate great cities. This is not the rebuilding of cities. This is the sacking of cities.”
    —Jane Jacobs (b. 1916)