SPECTRE - Philosophy and Goals

Philosophy and Goals

In Ian Fleming's novels, SPECTRE is a commercial enterprise led by Blofeld. Their top-level members are 21 individuals, 18 of whom handle day-to-day affairs and are drawn in groups of three from six of the world's greatest criminal organisations—the Gestapo, SMERSH, Marshal Josip Broz Tito's secret police, the Mafia, the Unione Corse, and a massive heroin-smuggling operation based in Turkey. Their debut is in Thunderball. At the time of writing the novel (1959) Fleming believed that the Cold War might end during the two years it would take to produce the film, which would leave it looking dated; he therefore thought it better to create a politically neutral enemy for Bond. The organisation is next mentioned in The Spy Who Loved Me, when Bond describes investigating their activities in Toronto before the story begins.

The organisation's third appearance is in On Her Majesty's Secret Service where Blofeld, hired by an unnamed country or party (though the Soviet Union is implied) is executing a plan to ruin British agriculture. Blofeld, with a weakened SPECTRE would appear for the final time in You Only Live Twice.

In the films, the organisation has a more active role, often as a third party in the ongoing Cold War. The goal of world domination was only ever stated in You Only Live Twice, and SPECTRE was working not for itself but for an unnamed Asian government whose two representatives Blofeld speaks to during the movie; perhaps Red China, who earlier backed Goldfinger. SPECTRE's goals in the other films it has appeared in have always been less lofty. Its long-term strategy, however, is illustrated by the analogy of the three Siamese fighting fish Blofeld keeps in an aquarium in the film version of From Russia with Love. Blofeld notes that one fish is refraining from fighting two others until their fight is concluded. Then, that cunning fish attacks the weakened victor and kills it easily. Thus SPECTRE's main strategy is to instigate conflict between two powerful enemies, namely the superpowers, hoping that they will exhaust themselves and be vulnerable when it seizes power. SPECTRE thus works with both sides of the Cold War. For example, in Goldfinger it works with both China, to destabilise the Western world's economy, and the French Foreign Ministry, to kill a defector to the USSR.

In both the film and the novel Thunderball, the physical headquarters of the organisation are laid in Paris, operating behind the terrorist front organisation aiding refugees (Firco in the novels; International Brotherhood for the Assistance of Stateless Persons in the films).

Organizational discipline is notoriously draconian with the penalty for disobedience or failure being death. As quoted by Blofeld on several occasions: "This organisation does not tolerate failure". Furthermore, to heighten the impact of the executions, Blofeld often chooses to focus attention on an innocent member, making it appear his death is imminent, only to suddenly strike down the actual target when that person is off guard.

Fleming's SPECTRE has elements inspired by mafia syndicates and organised crime rings that were actively hunted by law enforcement in the 1950s. The strict codes of loyalty and silence, and the hard retributions that followed violations, were hallmarks of U.S. gangster rings, Mafia, the Unione Corse, the Chinese Tongs/Triads and the Japanese Yakuza/Black Dragon Society.