Plot
While walking in a forest, Bugs Bunny wonders aloud how everyone is out to get everyone else; this is illustrated by hostile behavior as Bugs' interacts with, among other things, a rock and a butterfly. He then sees a carrot and begins to eat it, unaware that it is a trap set by Marvin the Martian.
Marvin's purpose for capturing Bugs (with what Marvin explains is an "ACME Super Rack and Pinion Tranquilizer Carrot") is to provide a playmate for Hugo the Abominable Snowman (from 1961's The Abominable Snow Rabbit). After Bugs awakens and realizes where he is, Marvin explains his rationale before turning Hugo loose on Bugs ("Oh no, not again!" cries Bugs, remembering his earlier encounter with Hugo). Hugo reprises his lines from Snow Rabbit, including his intention to "hug him and squeeze him and name him George." Bugs regains the upper hand on his captors by suggesting to Hugo that he needs a robot; Marvin attempts to make a getaway but Hugo reaches into the spaceship and repeats his "I will call him George" lines. When an agitated Marvin demands that Hugo cease his behavior, an angry Hugo spanks Marvin.
Bugs then whispers in Hugo's ear, suggesting something that he would be good at. The scene cuts to Hugo's wrist, where he proudly displays his new "Mickey Martian" wristwatch. Bugs then climbs into the spacecraft and gets Hugo to practice his Frisbee toss by hurling the ship toward the Earth.
Read more about this topic: Spaced Out Bunny
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)