Production
The show has a distinctive cinematic style set by Wright and is shot with a single camera. In addition to borrowing liberally from the visual language of film (in particular genre films), it has particular stylistic mannerisms, such as the recurring device of scene changes occurring in the middle of a pan. The series' atmosphere is also established by the use of a particular flavour of contemporary dance music on its soundtrack.
Northern Exposure's frequent use of fantasy sequences was "one of the key influences" in the creation of the show, and Pegg and Stevenson pitched the show to LWT as "a cross between The Simpsons, The X-Files and Northern Exposure."
The series is dense with references to popular culture, including but not limited to science fiction and horror films, comic books, and video games. The Series 2 DVD release introduced the "Homage-o-meter", an alternative set of subtitles listing every reference and homage; the "Definitive Collectors Edition" boxed set introduced a similar subtitle track for Series 1. 2000 AD artists Jim Murray and Jason Brashill provided the artwork for Tim's comic The Bear, as well as other incidental artwork for the show. Tim's boss Bilbo wears a 2000 AD comic T-shirt whilst lecturing Tim about The Phantom Menace.
The series is also noted for its regular recreational drug use references, from its title onwards. Tim and Daisy smoke cannabis on a number of occasions, one episode centering on its use. Tim and Mike take speed on one occasion, and it is implied that Tim, Mike, Daisy, Twist and Brian take ecstasy while clubbing.
Read more about this topic: Spaced
Famous quotes containing the word production:
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)