Soviet Art - Soviet Avant-Garde Art

Soviet Avant-Garde Art

During the Russian Revolution a movement was initiated to put all arts to service of the dictatorship of the proletariat. The instrument for this was created just days before the October Revolution, known as Proletkult, an abbreviation for "Proletarskie kulturno-prosvetitelnye organizatsii" (Proletarian Cultural and Enlightenment Organizations). A prominent theorist of this movement was Aleksandr Bogdanov. Initially Narkompros (ministry of education), which was also in charge of the arts, supported Proletkult. However the latter sought too much independence from the ruling Communist Party of Bolsheviks, gained negative attitude of Vladimir Lenin, by 1922 declined considerably, and was eventually disbanded in 1932.

The ideas of Proletkult attracted the interests of Russian avantgarde, who strived to get rid of the conventions of "bourgeois art". Among notable persons of this movement was Kazimir Malevich. However the ideas of the avantgarde eventually clashed with the newly emerged state-sponsored direction of Socialist Realism.

In search of new forms of expression, the Proletkult organisation was highly eclectic in its art forms, and thus was prone to harsh criticism for inclusion of such modern directions as impressionism and cubism, since these movements existed before the revolution and hence were associated with "decadent bourgeois art".

Among early experiments of Proletkult was pragmaic aesthetic of industrial art, the prominent theoretist being Boris Arvatov.

Another group was UNOVIS, a very short-lived but influential collection of young artists led by Kasimir Malevich in the 1920s.