Sovereign Art Foundation - The Sovereign Asian Art Prize

The Sovereign Asian Art Prize

The Sovereign Asian Art Prize was initiated in 2003 when the Sovereign Art Foundation was established as a charity in Hong Kong and is the Sovereign Art Foundation’s most established prize having had over 2000 artists in the region submit entries in its history.

The prize follows the same format as its African and European counterparts. Entry is by nomination only. All entries are then judged by a renowned judging panel that has a strong authority in contemporary Asian art. This is the first part of a two part judging process where the 30 strongest pieces will be the art prize finalists. The finalists are usually exhibited in a prominent public place in Hong Kong. In 2010, the finalist exhibition was for the first time toured in Singapore and in Hong Kong. In 2011, the finalist exhibition will be toured in Shanghai, Seoul, Singapore and then finally in Hong Kong. (see: The Sovereign Asian Art Prize). The second part of the judging process will take place live, at the exhibition in Hong Kong where the art prize winner will be announced. The 29 remaining pieces will then be auctioned off by Sotheby’s at a charity dinner where 50% of the proceeds of each sale will go to the artist and the other 50% will go to the foundation. All proceeds made on the evening by the foundation will go directly towards its charitable aims (see above).

Additionally, the award also includes the "Schoeni Prize" which is named in memory of Manfred Schoeni who died in 2004. This prize is decided solely by public votes cast at the exhibition and through the Sovereign Art Foundation website. The prize carries a nominal award of US$1,000.

As well as raising funds to assist art projects in Asia, The Sovereign Asian Art Prize strives to recognise the most innovative and influential artists of our time.

Winners
Year Artist Country
2010 Pala Pothupitiye Sri Lanka
2009 Debbie Han Korea
2008 Chow Chun Fai Hong Kong
2007 Kumi Machida Japan
2006 Uttaporn Nimmailaikaew Thailand
2005 Tsang Kin Wah Hong Kong
2004 Jeffrey Du Vallier D’Aragon Aranits Hong Kong
Judges
Judge Year Judge Year Judge Year
Sir David Akers-Jones 2004 Dr Gao Shiming 2006 David Elliott 2009
Dr Christina Chu 2004 Enin Supriyanto 2006 Fumio Nanjo 2009
Professor Kurt Chan 2004 Mr Robert Lee 2006 Xu Bing 2009
Angelina Bleach 2004 Mr David Elliott 2007 Uli Sigg 2009
Claire Hsu 2004 Mr Jean-Baptiste Debains 2007 Apinan Poshyanda 2009
Jeffrey Du Vallier D’Aragon Aranits 2005 Mrs Pamela Kember 2007 David Elliott 2010
Prof Chan Yuk Keung 2005 Ms Victoria Lu 2007 Fumio Nanjo 2010
Dr. Christina Chu 2005 Ms Bridget Tracy Tan 2007 Xu Bing 2010
Claire Hsu 2005 Peter Aspden 2008 Lars Nittve 2010
Ark Fongsmut 2006 Ms Victoria Lu 2008 Graham Sheffield 2010
Dr Alice Guillermo 2006 Pooja Sood 2008 Tan Boon Hui 2010
Claire Hsu 2006 Xu Bing 2008 Sir David Tang 2010
Fumio Nanjo 2006 Pamela Kember 2008

Read more about this topic:  Sovereign Art Foundation

Famous quotes containing the words sovereign, asian, art and/or prize:

    The Sovereign has, under a constitutional monarchy such as ours, three rights—the right to be consulted, the right to encourage, the right to warn. And a king of great sense and sagacity would want no others.
    Walter Bagehot (1826–1877)

    Exploitation and oppression is not a matter of race. It is the system, the apparatus of world-wide brigandage called imperialism, which made the Powers behave the way they did. I have no illusions on this score, nor do I believe that any Asian nation or African nation, in the same state of dominance, and with the same system of colonial profit-amassing and plunder, would have behaved otherwise.
    Han Suyin (b. 1917)

    When I see that the nineteenth century has crowned the idolatry of Art with the deification of Love, so that every poet is supposed to have pierced to the holy of holies when he has announced that Love is the Supreme, or the Enough, or the All, I feel that Art was safer in the hands of the most fanatical of Cromwell’s major generals than it will be if ever it gets into mine.
    George Bernard Shaw (1856–1950)

    To become a token woman—whether you win the Nobel Prize or merely get tenure at the cost of denying your sisters—is to become something less than a man ... since men are loyal at least to their own world-view, their laws of brotherhood and self-interest.
    Adrienne Rich (b. 1929)