Some Works That Reference The SCHS Collections
- Loretto Dennis Szucs and Sandra Hargreaves Luebking, The source : a guidebook of American genealogy, 2006.
- Sharon DeBartolo Carmack, and Erin Nevius, The family tree resource book for genealogists, 2004.
- Leigh Fought, Southern Womanhood and Slavery: A Biography of Louisa S. McCord, 1810-1879, 2003.
- Barbara L. Bellows, A Talent for Living: Josephine Pinckney and the Charleston Literary Tradition, 2006.
- Charles J. Holden, In the Great Maelstrom: Conservatives in Post-Civil War South Carolina, 2002.
- John Michael Vlach, The Planter's Prospect: Privilege and Slavery in Plantation Paintings, 2002.
- Robert R. Weyeneth, Historic Preservation for a Living City: Historic Charleston Foundation, 1947-1997, 2000.
Read more about this topic: South Carolina Historical Society
Famous quotes containing the words works, reference and/or collections:
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“Ultimately Warhol’s private moral reference was to the supreme kitsch of the Catholic church.”
—Allen Ginsberg (b. 1926)
“Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.”
—Sébastien-Roch Nicolas De Chamfort (1741–1794)