South African Music Awards - 18th South African Music Awards (2012)

18th South African Music Awards (2012)

The 18th Annual MTN South African Music Awards took place on 29–30 April at Sun City. They were regarded as a major success garnering praise from critics and the public. SAMA 18 came with a new silk award design.

And the winners are:

  • Best Alternative Album: The Dirty Skirts for Lost In The Fall
  • Best Kiddies Album: Wendy Oldfield for Singalong Kidz Volume 2
  • Best Smooth Urban Music Album: Zahara for Loliwe
  • Best Contemporary Faith Music Album: The Plain Truth – We Are The Shining Ones
  • Best Classical and Instrumental Album: CH2 for Ping
  • Best Collaboration: Zahara featuring Georgy for Incwad’Encane
  • Best Jazz Album: Jimmy Dludlu for Tonota
  • Best Pop Album: Lloyd Cele for One
  • Best African Adult Album: Zonke for Ina Ethe
  • Best Rock Album: Shadowclub for Guns and Money
  • Best Traditional Music Album: Soul Brothers for Amaphutha
  • Best Traditional Faith Music Album: Solly Mahlangu for Mwamba Mwamba
  • Best Street Urban Music Album: AKA for Altar Ego
  • Best Sokkie Dans Album: Snotkop for Ek Laaik Van Jol
  • Best Adult Contemporary Album: Elvis Blue for Elvis Blue (2CD Special Edition)
  • Best Maskandi Album: Thokozani Langa for I-Protection Order
  • Best Kwaito Album: Big Nuz for Pound for Pound
  • Best Dance Album: Mi Casa for Mi Casa Music
  • Special Award: Best Selling Album: Zahara for Loliwe
  • Special Award: MTN Best Selling Mobile Music Download: Facebook by DJ Cleo
  • Newcomer of the Year: Zahara for Loliwe
  • Duo/Group of the Year: Mi Casa for Mi Casa Music
  • Male Artist of the Year: AKA for Altar Ego
  • Female Artist of the Year: Zahara for Loliwe
  • MTN Record of the Year: Mi Casa for These Streets
  • Album of the Year: Loliwe by Zahara
  • Best Engineer: Johan van der Colff for Zahara - Loliwe

Read more about this topic:  South African Music Awards

Famous quotes containing the words south, african and/or music:

    Whenever I’m asked why Southern writers particularly have a penchant for writing about freaks, I say it is because we are still able to recognize one. To be able to recognize a freak, you have to have some conception of the whole man, and in the South the general conception of man is still, in the main, theological.
    Flannery O’Connor (1925–1964)

    I always draw a parallel between oppression by the regime and oppression by men. To me it is just the same. I always challenge men on why they react to oppression by the regime, but then they do exactly the same things to women that they criticize the regime for.
    Sethembile N., South African black anti-apartheid activist. As quoted in Lives of Courage, ch. 19, by Diana E. H. Russell (1989)

    For I have learned
    To look on nature, not as in the hour
    Of thoughtless youth, but hearing oftentimes
    The still, sad music of humanity.
    William Wordsworth (1770–1850)