Principles of Sound Change
The following statements are used as heuristics in formulating sound changes as understood within the Neogrammarian model. However, for modern linguistics, they are not taken as inviolable rules; rather, they are seen as guidelines.
Sound change has no memory: Sound change does not discriminate between the sources of a sound. If a previous sound change causes X,Y > Y (features X and Y merge as Y), a new one cannot affect only original X's.
Sound change ignores grammar: A sound change can only have phonological constraints, like X > Z in unstressed syllables. It cannot, for example, only affect adjectives. The only exception to this is that a sound change may or may not recognise word boundaries, even when they are not indicated by prosodic clues. Also, sound changes may be regularized in inflectional paradigms (such as verbal inflection), in which case the change is no longer phonological but morphological in nature.
Sound change is exceptionless: If a sound change can happen at a place, it will. It affects all sounds that meet the criteria for change. Apparent exceptions are possible, due to analogy and other regularization processes, or another sound change, or an unrecognized conditioning factor. This is the traditional view, expressed by the Neogrammarians. In past decades it has been shown that sound change doesn't necessarily affect all the words it in principle could. However, when a sound change is initiated, it often expands to the whole lexicon given enough time, though not always. For example, in Spanish the fronting of Vulgar Latin before seems to have reached every possible word it could, but the change involving voicing of word-initial Latin to as in colaphus > golpe and cattus > gato did not, e.g. canna > caña. See also lexical diffusion.
Sound change is unstoppable: All languages vary from place to place and time to time, and neither writing nor media prevent this change.
Read more about this topic: Sound Change
Famous quotes containing the words principles of, principles, sound and/or change:
“In child rearing it would unquestionably be easier if a child were to do something because we say so. The authoritarian method does expedite things, but it does not produce independent functioning. If a child has not mastered the underlying principles of human interactions and merely conforms out of coercion or conditioning, he has no tools to use, no resources to apply in the next situation that confronts him.”
—Elaine Heffner (20th century)
“The chief lesson of the Depression should never be forgotten. Even our liberty-loving American people will sacrifice their freedom and their democratic principles if their security and their very lives are threatened by another breakdown of our free enterprise system. We can no more afford another general depression than we can afford another total war, if democracy is to survive.”
—Agnes E. Meyer (1887–1970)
“Every now and then, when you’re on stage, you hear the best sound a player can hear. It’s a sound you can’t get in movies or in television. It is the sound of a wonderful, deep silence that means you’ve hit them where they live.”
—Shelley Winters (b. 1922)
“All photographs are there to remind us of what we forget. In this—as in other ways—they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.”
—John Berger (b. 1926)