SOS (Rihanna Song) - Composition

Composition

"SOS" is an up-tempo dance-pop and contemporary R&B song, that draws influence from dance music. The song includes synth riffs and machine beats as part of its instrumental. The lyrical content of the song is based around the theme of a "boy meets girl" scenario; Quentin B. Huff of Popmatters provided a synopsis of the lyrical content, writing that "SOS" is a "classic tale of girl-sees-boy, girl-falls-head-over-heels, girl-dreams-of-boy-so-much-she-loses-herself, girl-sings-catchy-pop-song-about-boy, girl-sells-lots-of-records." "SOS" contains a sped up sample of "Tainted Love", which was originally written by Ed Cobb in 1965 and popularised by English synthpop duo Soft Cell, when they released their cover version in 1981.

The use of the 'Tainted Love' sample was well received by critics. Ruth Jamieson of The Observer commented that the sample was an "outrageously hooky Soft Cell rhythm." Jazzily Bass of Contactmusic.com complimented the inclusion of the "Tainted Love" sample, describing "SOS" as "superbly infectious." Bass continued to praise the song for not making the sample too obvious, writing "I was accepting it to sound like every other song that has sampled the hook." Kelefah Sanneh of The New York Times described the inclusion the "Tainted Love" sample as being "brazen" and "astute."

Read more about this topic:  SOS (Rihanna Song)

Famous quotes containing the word composition:

    The composition of a tragedy requires testicles.
    Voltaire [François Marie Arouet] (1694–1778)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)

    There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.
    Gertrude Stein (1874–1946)