Composition
"SOS" is an up-tempo dance-pop and contemporary R&B song, that draws influence from dance music. The song includes synth riffs and machine beats as part of its instrumental. The lyrical content of the song is based around the theme of a "boy meets girl" scenario; Quentin B. Huff of Popmatters provided a synopsis of the lyrical content, writing that "SOS" is a "classic tale of girl-sees-boy, girl-falls-head-over-heels, girl-dreams-of-boy-so-much-she-loses-herself, girl-sings-catchy-pop-song-about-boy, girl-sells-lots-of-records." "SOS" contains a sped up sample of "Tainted Love", which was originally written by Ed Cobb in 1965 and popularised by English synthpop duo Soft Cell, when they released their cover version in 1981.
The use of the 'Tainted Love' sample was well received by critics. Ruth Jamieson of The Observer commented that the sample was an "outrageously hooky Soft Cell rhythm." Jazzily Bass of Contactmusic.com complimented the inclusion of the "Tainted Love" sample, describing "SOS" as "superbly infectious." Bass continued to praise the song for not making the sample too obvious, writing "I was accepting it to sound like every other song that has sampled the hook." Kelefah Sanneh of The New York Times described the inclusion the "Tainted Love" sample as being "brazen" and "astute."
Read more about this topic: SOS (Rihanna Song)
Famous quotes containing the word composition:
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (18121870)
“When I think of God, when I think of him as existent, and when I believe him to be existent, my idea of him neither increases nor diminishes. But as it is certain there is a great difference betwixt the simple conception of the existence of an object, and the belief of it, and as this difference lies not in the parts or composition of the idea which we conceive; it follows, that it must lie in the manner in which we conceive it.”
—David Hume (17111776)
“Every thing in his composition was little; and he had all the weaknesses of a little mind, without any of the virtues, or even the vices, of a great one.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (16941773)