SOS (Rihanna Song) - Composition

Composition

"SOS" is an up-tempo dance-pop and contemporary R&B song, that draws influence from dance music. The song includes synth riffs and machine beats as part of its instrumental. The lyrical content of the song is based around the theme of a "boy meets girl" scenario; Quentin B. Huff of Popmatters provided a synopsis of the lyrical content, writing that "SOS" is a "classic tale of girl-sees-boy, girl-falls-head-over-heels, girl-dreams-of-boy-so-much-she-loses-herself, girl-sings-catchy-pop-song-about-boy, girl-sells-lots-of-records." "SOS" contains a sped up sample of "Tainted Love", which was originally written by Ed Cobb in 1965 and popularised by English synthpop duo Soft Cell, when they released their cover version in 1981.

The use of the 'Tainted Love' sample was well received by critics. Ruth Jamieson of The Observer commented that the sample was an "outrageously hooky Soft Cell rhythm." Jazzily Bass of Contactmusic.com complimented the inclusion of the "Tainted Love" sample, describing "SOS" as "superbly infectious." Bass continued to praise the song for not making the sample too obvious, writing "I was accepting it to sound like every other song that has sampled the hook." Kelefah Sanneh of The New York Times described the inclusion the "Tainted Love" sample as being "brazen" and "astute."

Read more about this topic:  SOS (Rihanna Song)

Famous quotes containing the word composition:

    The composition of a tragedy requires testicles.
    Voltaire [François Marie Arouet] (1694–1778)

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)

    If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.
    George Gordon Noel Byron (1788–1824)