Sorry, Sorry - Music

Music

Sorry, Sorry contains primarily pop music, with the album having a more mature approach in style in comparison to previous Super Junior albums. It contains more R&B-styled pop songs with lyrics that represent the evolution of "boys to men." Songs are less cheerful; melodic instruments play a huge part in most of the songs, showing maturity. Rap is also less presented in this album, having a majority of the songs dominated by R&B and harmonious vocals. Super Junior explained that this album is more strongly affiliated with Super Junior's own musical style unlike their previous albums, in which their music had been test-productions for various markets. The album shows its strong influence from contemporary dance and R&B. It draws from bubblegum pop to a lesser degree, unlike their previous albums.

The title song "Sorry, Sorry" was written by Yoo Young-jin, who wrote "Don't Don," the title track of Super Junior's second album Don't Don. Yoo reportedly wanted create a song which is both equally fun and easy to listen. The song is a "polished and trendy" dance song, with influences of American funk and contemporary R&B, stimulated with a heavy electronic beat that is the genre of "urban minimal funky", a new style that the group has never tried before. Nick Bass, who has worked with international stars like Usher and Justin Timberlake, choreographed the dance for "Sorry, Sorry" with assistant staff Trent Dickens, showing the single's strong musical prominence. The second promotional single "It's You" was written by E-Tribe, famous for creating hits such as "Gee" and Lee Hyori's "U-Go-Girl". "It's You" similarly draws influences from electronic beats; however, it keeps a heavier emphasis on contemporary R&B.

TVXQ members U-Know and Micky wrote the rap and performed it in "Heartquake" and actress Lee Yeon-hee's vocals are also featured in "Club No.1."

Read more about this topic:  Sorry, Sorry

Famous quotes containing the word music:

    If this be love, to clothe me with dark thoughts,
    Haunting untrodden paths to wail apart;
    My pleasures horror, music tragic notes,
    Tears in mine eyes and sorrow at my heart.
    If this be love, to live a living death,
    Then do I love and draw this weary breath.
    Samuel Daniel (1562–1619)

    As if, as if, as if the disparate halves
    Of things were waiting in a betrothal known
    To none, awaiting espousal to the sound
    Of right joining, a music of ideas, the burning
    And breeding and bearing birth of harmony,
    The final relation, the marriage of the rest.
    Wallace Stevens (1879–1955)

    Hell is full of musical amateurs: music is the brandy of the damned.
    George Bernard Shaw (1856–1950)