Sophie Solomon - Career

Career

During her time at Oxford, Solomon spent a year living in Russia, where she had a residency DJing Ragga jungle music at Kitai Gorod's Propaganda nightclub. Solomon developed a passion for the traditional musics of Eastern Europe especially klezmer and gypsy styles and travelled widely in the region, absorbing new sounds and influences along the way. This led to her becoming a founder member of Oi Va Voi who were described as "one of the most exciting bands in Britain today" by The Daily Telegraph. It was with this band that she rediscovered her love for the violin.

Famed for their live appearances and Solomon's on-stage pyrotechnics, the band's debut album Laughter Through Tears received rave reviews, was voted in the top ten albums of 2004 by The New York Times, won them two nominations in BBC Radio 3's annual awards for world music and an Edison Album of the Year Award 2003.

Solomon's collaboration with Josh "Socalled" Dolgin - Solomon & Socalled's HipHopKhasene - with special guests David Krakauer, Michael Alpert and Frank London, a traditional klezmer wedding hip-hop style received the Preis der Deutschen Schallplattenkritik Album of the Year award 2004.

She became increasingly in-demand, lending her violin playing to the likes of Rufus Wainwright, KT Tunstall, Paul Weller, Killing joke and Theodore Bikel. Solomon teaches klezmer music all over the world, most recently at the School of Oriental and African Studies (University of London), the Royal Academy of Music and Weimar Conservatoire. She is on the artistic advisory committee of the Genius of the Violin festival, the only such event in the world devoted entirely to the instrument. In February 2006 she appeared alongside Roby Lakatos, Nikolaj Znaider and Mark O'Connor in the Genius of the Violin concert at the Barbican Hall with the London Symphony Orchestra, performing special orchestrations of her own compositions. Martha Wainwright made an appearance as Sophie's special guest at this concert singing Lazarus.

In May 2006 Solomon released her debut solo album, Poison Sweet Madeira, on Decca Records - an eclectic mix of klezmer, folk and pop and featuring the vocal talents of Richard Hawley, Ralph Fiennes and KT Tunstall. Her regular touring band comprises Ian Watson (accordion), Daniel Glendining (guitar/vocals), Grant Windsor (piano), Ali Friend (bass) and Stevie Pilgrim (drums).

She has appeared and worked with musicians as diverse as The Klezmatics, Gary Lucas, Bacon & Quarmby, Luke Toms, The Real Tuesday Weld, Nayekhovichi, Alan Bern & Brave Old World, Maurice El Medioni, the London Symphony Orchestra, th'Legendary Shackshakers, the Israeli Sinfonietta, Hazmat Modine, Avishai Cohen, Yasmin Levy, Ludovico Einaudi, Marius de Vries, Kipper, Temposhark, Jon Thorne, Smadj, Ben Parker (formerly of Ben & Jason) and Besh o droM.

In 2006, Solomon was Musical Arranger on Lindsay Posner's critically acclaimed production of Fiddler on the Roof starring Henry Goodman, which transferred to the Savoy Theatre on London's West End in May 2007.

In early 2007 Solomon premiered Wiesenberg's Suite Concertante for Klezmer and Classical Violins with Dora Schwarzberg & the Yehudi Menuhin School Orchestra. In 2008 she was a featured musician for the premiere at London's South Bank Centre of Marius de Vries's composition Q4 based on T S Eliot's Four Quartets, commissioned by the Rafael Bonachela Dance Company.

She contributes regularly to The Strad magazine.

She is currently working on her second solo disc for Sony/ATV, produced by Marius de Vries, and composing music for various film projects. She composed the score for Vlast (Power), a film about Mikhail Khodorkovsky, which has been screened at international film festivals, including Zagrebdox where it won a Special Recognition Award, and as part of Al Jazeera's Witness strand. In 2009, Solomon was composer, arranger and musical director for Our Class, a new play by Tadeusz Slobodzianek directed by Bijan Sheibani at the Royal National Theatre in London. In 2010, she was Composer for 'Off the Endz' by Bola Agbaje at the Royal Court Theatre in London and appeared as featured folk fiddler in London Assurance at the Royal National Theatre directed by Nicholas Hytner.

In November 2011 she was appointed as Artistic Director of the Jewish Music Institute, SOAS, effective from January 2012.

Solomon is also a member of the Steering Committee of Hackney New School, a new secondary free school focused on music, approved by the Department for Education to proceed to the opening stage for September 2013.

Read more about this topic:  Sophie Solomon

Famous quotes containing the word career:

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)