Sonny (robot) - Production

Production

For many years, fans hoped that any movie based on Asimov's Robot series would be based on an earlier screenplay written for Warner Brothers by Harlan Ellison with Asimov's personal support, which is generally perceived to be a relatively faithful treatment of the source material (see I, Robot#Film, TV or theatrical adaptations for details).

The film that was ultimately made originally had no connections with Asimov, originating as a screenplay written in 1995 by Jeff Vintar, entitled Hardwired. The script was an Agatha Christie-inspired murder mystery that took place entirely at the scene of a crime, with one lone human character, FBI agent Del Spooner, investigating the killing of a reclusive scientist named Dr. Hogenmiller, and interrogating a cast of machine suspects that included Sonny the robot, HECTOR the supercomputer with a perpetual yellow smiley face, the dead Doctor Hogenmiller's hologram, plus several other examples of artificial intelligence. The female lead was named Flynn, and had a mechanical arm that made her technically a cyborg. The original "Hardwired" screenplay was a cerebral thriller that read like a stage play, and representatives of the Asimov estate considered the script "more Asimov than Asimov."

The project was first picked up by Walt Disney Pictures for Bryan Singer to direct. Several years later, 20th Century Fox acquired the rights, and signed Alex Proyas as director. Jeff Vintar was brought back on the project and spent several years opening up his stage play-like mystery to meet the needs of a big budget studio film. Later he incorporated the Three Laws of Robotics, and replaced the character of Flynn with Susan Calvin, when the studio decided to use the name "I, Robot."

The writing team of Lawrence Konner and Mark Rosenthal, regularly employed by Fox as studio re-writers, was hired for one draft in an effort to create a more mainstream film. They gave the female lead's mechanical arm to male lead Del Spooner, but otherwise their work was discarded and Vintar brought back again. Hillary Seitz performed an unsuccessful draft, being unable to get a handle on the cold, almost robotic character of Susan Calvin. Akiva Goldsman was hired late in the process to rewrite the script for Will Smith. These drafts excised a great deal of complexity from the murder mystery, replacing them with the big action scenes associated with a Will Smith vehicle.

Alex Proyas directed the film. John Davis, Topher Dow, Wyck Godfrey, Laurence Mark and Will Smith joined to produce the film. Jeff Vintar and Akiva Goldsman penned the final shooting script, with Vintar also receiving "screen story by" credit. Bridget Moynahan, Bruce Greenwood, James Cromwell, Chi McBride, Alan Tudyk and Shia LaBeouf co-starred. Marco Beltrami and Stephen Barton composed music for the film. Simon Duggan was the cinematographer. Film editing was done by William Hoy, Richard Learoyd and Armen Minasian.

The film contains very noticeable product placements for Converse's Chuck Taylor All-Stars, Audi, FedEx, Tecate and JVC among others. The Audi RSQ was designed specially for the film to increase brand awareness and raise the emotional appeal of the Audi brand, objectives that were considered achieved when surveys conducted in the United States showed that the Audi RSQ gave a substantial boost to the image ratings of the brand in the States. The company would introduce their RSQ-inspired R8 sports car in 2006.

Modem manufacturer USRobotics also used the film to revive their dying modem business. The company was inspired by the original "I, Robot" story and is headquartered in Schaumburg, Illinois.

Read more about this topic:  Sonny (robot)

Famous quotes containing the word production:

    In the production of the necessaries of life Nature is ready enough to assist man.
    Henry David Thoreau (1817–1862)

    The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.
    Adrienne Rich (b. 1929)

    The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.
    Karl Marx (1818–1883)