Literary Significance and Criticism
Overall, reviews for Son of a Witch were mixed. Some reviewers praised the book for its innovative look into an imperfect fantasy world while others disparaged the book's alleged lack of focus. Writing for The Boston Globe, Sarah Smith wrote, "Maguire has done it again: Son of a Witch is as wicked as they come," but Katharine Powers for The Washington Post called it "off-kilter and aimless." Kirkus Reviews keeps the middle ground of these two characterizations, writing, "The book works too hard to dazzle us; it's considerably more cluttered and strained than Wicked…but few readers will fail to stay its magical course. Once again, the myth of Oz proves its enduring power."
Liir was named #1 on a list of Top Ten LGBT Book Characters.
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“The literary artist will ... portray what he knows, and little else. Imagination is built upon knowledge, and his dreams will rest upon his facts. He is worth to the world just about what he has learned from it, and no more.”
—Elizabeth Stuart Phelps (1844–1911)
“The hypothesis I wish to advance is that ... the language of morality is in ... grave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we have—very largely if not entirely—lost our comprehension, both theoretical and practical, of morality.”
—Alasdair Chalmers MacIntyre (b. 1929)
“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (1821–1867)