Somewhere in Time (film) - Reception

Reception

Although this movie was well received during its previews, it was widely derided by critics upon release and underperformed at the box office. In 2009, in an interview with WGN America, Jane Seymour stated that "t was just a little movie... The Blues Brothers came out the same week and it was a $4 million budget, so Universal didn't really support it. There was also an actors' strike, so Chris and I weren't allowed to publicize it. And they barely put it out because I don't think anyone really believed in it." Seymour's memory, however, is inaccurate: The Blues Brothers was released on June 20, 1980, whilst Somewhere in Time premiered on September 17 and was released on October 3, 1980; it is most likely that the British Seymour has confused the US and UK release dates, with The Blues Brothers debuting in the UK one week after the US release of Somewhere in Time. The budget for Somewhere in Time had originally been set at $8 million, but the studio would only "green light" the picture when the budget was cut by half. It eventually cost $5.1 million. The actors' strike did prevent Reeve and Seymour from promoting the film, as making public appearances to promote a film is considered to be work. No positive buzz about the film was generated and the critics' evaluations were harsh.

Read more about this topic:  Somewhere In Time (film)

Famous quotes containing the word reception:

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)