History
In 1982, Frida felt it was time to record a solo-album again, this time in English and aimed at the international market. ABBA were spending less and less time together. Going through her divorce from Andersson, Frida had heard Phil Collins' "In The Air Tonight," and then "listened to the album (Face Value) non-stop for eight months." As Collins himself put it in a TV interview: "Frida and I had something in common as far as our divorces were concerned. We were both the injured party." Polar Music approached Collins, asking if he would be interested in producing Frida's new solo album. He accepted the offer, thus making this his second album to be recorded in the Polar Studios, the first being Genesis' Duke (1980).
Polar Music sent out invitations to publishing companies around the world, announcing Frida's plans and asking for songs suitable for the project. The response was overwhelming; more than 500 songs came in to the Polar Music offices in Stockholm. Among the composers who made it to the album's final tracklist were Bryan Ferry, Stephen Bishop, Rod Argent and Russ Ballard. The Giorgio Moroder/Pete Bellotte composition "To Turn The Stone" was originally written for Donna Summer's 1981 album I'm a Rainbow - a double set for Geffen Records which for various reasons would remain in the archives until 1996. Frida also asked Per Gessle, later of Roxette, to set Dorothy Parker's bittersweet poem "Threnody" to music. A re-interpretation of the Face Value track "You Know What I Mean" - a song especially close to her heart, both musically and lyrically - was also included. The song "Here We'll Stay" had previously been recorded and performed by singer Sonia Jones for the UK pre-selection for Eurovision Song Contest 1980 . On the album, it was recorded as a duet with Phil Collins although he wasn't credited. When it was decided to release the song as a single in 1983, Collins declined to be associated with the track, and Frida re-recorded the song as a solo version.
Read more about this topic: Something's Going On
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“What has history to do with me? Mine is the first and only world! I want to report how I find the world. What others have told me about the world is a very small and incidental part of my experience. I have to judge the world, to measure things.”
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