Episodes
Each episode has a different theme that is explored through various loosely interwoven storylines.
- Wind of Romance (set in Italy)
- An Italian village becomes a festival of passionate excursions.
- Twin Winds (set in Brazil)
- A vain man pursues his stolen reflection in a world of pairs.
- Howling Winds (set in Transylvania)
- An old-fashioned hotel turns into a haunted house of fun and horror.
- Rockin' Wind (set in France)
- An orchestra rehearsal goes awry and takes on a rock 'n' roll beat.
- Once Upon a Wind (set in London)
- A storybook turns those who touch it into adventure heroes.
- Wind of Freedom (set in the Caribbean)
- Prisoners flee captivity by exceptional means.
- Ghostly Wind (set in Hollywood, California)
- A night watchman is frightened by costumes brought to life in a warehouse.
- Gone With the Winds (set in Nevada)
- An airport employee experiences a unique adventure in the desert.
- Wind from the Past (set in Quebec)
- For a fleeting moment, an old man becomes a child in the world of his toy box.
- Winds of Courage (also set in Quebec)
- An armchair sports fan enters into a series of competitive games.
- Wind of Imagination (set in New York City)
- A boy's building blocks become an actual construction site.
- Wind of Life (set in Austria)
- In a toy shop in Salzburg, an old artisan's marionette comes to life.
- Cosmic Wind (set in outer space)
- Creatures of the sun live it up in an intergalactic discothèque.
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Famous quotes containing the word episodes:
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)
“What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (1857–1924)