Plot
Solo (Van Peebles) is an android designed as a military killing machine. He is sent to Central America by General Haynes (Barry Corbin) to battle guerrilla insurgents, but a flaw develops in his programming and he develops a conscience and compassion. His developers try to take him back for deprogramming, but he flees to the jungle in a helicopter. His main energy supply was damaged during the first mission, forcing him to switch to his much less powerful secondary power. He joins a small village community that is under constant threat from guerilla attackers, and he protects them in exchange for use of their electric generator (they previously used it to power a TV). There he learns to 'bluff' from a child that befriends him.
Solo helps the villages drive off a local Warlord (Joaquín Garrido) and his small army, but the combat is detected by a military satellite. A black ops team is sent recover or destroy Solo, while they ally with the Warlord. The black ops leader, Colonel Frank Madden (William Sadler) brings in Solo's creator (Adrien Brody) as a lure, leaving the man mortally wounded but Solo survives. Having occupied the village, the militiamen and black ops team attempt to kill Solo, but he is able to kill all of them. The Warlord is betrayed by Madden, who tries to kill Solo with an automatic grenade launcher. Solo is able to fight Madden in hand-to-hand combat and non-fatally break his spine. Suddenly a helicopter delivers a more powerful version of the android (who is sometimes referred to as 'Solo MkII') armed with a multi-barreled gun, and has Madden's face. The MkII kills Madden and proceeds to hunt down Solo. Solo is able to save the villagers and beat the MkII android, using his acquired bluffing skills.
Read more about this topic: Solo (1996 Film)
Famous quotes containing the word plot:
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)